Start at Jill Magid’s Tender — 120,000 pennies engraved with "THE BODY WAS ALREADY SO FRAGILE," still circulating through the economy. Then walk the LES and SoHo seeing art that moves: DAZE’s graffiti brought indoors, American Modernists whose private collection now goes public, the critical-consensus picks at Uffner & Liu and The Hole. Everything here is about how meaning travels — from subway walls to gallery walls, from private hands to public eyes, from one pocket to the next.